
The World Record Film turns the whole history of athletics records into cards you flip through — one film for the men, one for the women, 33 cards each. Every event gets a card, and the rest of the sport is read across all of them at once. This guide walks through every chart and every marker.
The tabs beside the title — men and women — swap between the two films. Each runs the 21 events in World Athletics' own order, then eleven cards about the sport as a whole, then a final card with both sexes together. Everything else is in the control bar along the bottom.
#men-javelin-throw — so reloading puts you back on the same card, and any card can be linked to directly.
Each event gets one card. The top bar names the record that stands today; the staircase underneath is every mark that ever held it.
Time runs left to right, the mark runs up. Every card climbs — times are inverted so that better is always higher, whether the event is won by running faster or by throwing further. The width of each step is how long that record survived, so a long flat tread is a record nobody could beat, and the gold plateau on the right is the one still standing.
The bar above the chart is who owned the record, and for how long — the 100 metres belonged to the United States for 77 of its 114 years. The pills below are the anecdotes: the longest wait, the day the record fell more than once, the athlete who set the most of them.
A staircase tells you when. It doesn't tell you how much. So every card has a second chart underneath that puts the marks in the same physical space.
Press ▶ Race the eras and every record mark in the event's history runs at once, from the first ratified time to the one standing now. The gap you see at the finish is the real one: when Bolt crosses the line, the 1912 record holder is still 9.6 metres back.
A world record progression looks like it should only ever improve. It doesn't, and the reasons are the interesting part — so every card writes its own explanation from its own data, behind the ? beside the title.
The ⬛ button in the control bar opens the same set of charts, scoped to the event you're on — four ways into one event's history.
Use ← → to walk the tabs while it's open, and Esc or S to close it. On the whole-sport cards the button is disabled — those cards are the stats.
After the events come the cards that only make sense with all of them at once. Each has its own ? explaining what it shows.
Both age cards carry a decade slider at the end of the KPI row. Pick 1990 and the maths uses only records set from that year on. The rows stay in their all-time order while it moves, so what you see change is the age and not the running order.
Three cards close each film, and they belong together.
athletics.aguywithascarf.com/#women-pole-vault opens exactly there.
This one is honest about its shape: the charts are wide because the data is wide — a century across, or 366 days across — and they don't fold into a column without losing the thing that makes them worth looking at. In landscape a phone works properly. In portrait you'll be scrolling sideways for the right-hand half of every card.